La nuit dernière se tenait à l'église Saint-Peter, sur Lexington (New York), une réunion festive, poétique et musicale à la mémoire de notre ami le pianiste new-yorkais Borah Bergman, disparu le 18 octobre dernier à l'âge de 85 ans. Je n'y étais pas. L'avion coûte cher. Si le memorial a été filmé/enregistré, j'en ferai circuler le son et l'image. Voici le texte du communiqué-programme de la cérémonie, que m'a envoyé Adael.
A memorial for Borah Bergman will be on Monday, April 15th, starting at 7:30pm, at Saint Peter's Church, located at 619 Lexington Avenue (corner of East 54th St.). We will celebrate his life and outstanding, original contributions to the art of piano improvisation.
John Blum (piano), Louis Belogenis (soprano sax), Tom Buckner (voice), Andrew Cyrille (drums), Joe Chonto Trio, Katie Bull (voice), Ken Filiano (string bass), Chris Forbes (piano), Lou Grassi (drums), David Gross/Jack Callahan Duo (alto saxophone/drums), Stephen Haynes (trumpet), Jason Kao Hwang (violin), Chris, Kelsey (soprano saxophone), Sue Kranz (voice), Oliver Lake (alto sax), Mat Maneri (viola), Denman Maroney (piano), Dafna Naphtali (voice), Steve Swell (trombone), Michael Wimberly (drums), and more TBA
Tom Buckner, Peter Brotzman, Katie Bull, Joe Chonto, Paul Geluso, Michael Heffley, Michael Hittman, Chris Kelsey, Erma Kranz, Hank O’Neil, John Szwed, and more TBA
Borah Bergman, brother, uncle, friend, brilliant avant-garde jazz pianist and mentor to many younger musicians, was born in Brooklyn, New York on December 13th, 1926 and died peacefully in Boston, on Thursday, October 18, 2012 at age 84.
He had a dream that to be an extraordinary pianist you had to do something that no one else could do. As he said, “I knew there was no point in sounding almost as good as Bud Powell.” After years of relentless practice and single-minded intensity, he was able to teach his left hand to play everything his right hand could. This resulted in an extraordinary ambidextrous technique that Borah often humorously referred to as friendly “hand-to-hand combat.” He also developed a crossed hands technique, which gave him an innovative and nuanced approach to improvisation. In the end, he was able to achieve his goal. He made more than two dozen solo and ensemble recordings, receiving critical acclaim in Europe, Asia and here at home. He has collaborated with Andrew Cyrille, Evan Parker, Roscoe Mitchell, Thomas Buckner, Oliver Lake, Hamid Drake, Peter Brotzman, Thomas Borgmann and many others. He can be heard on numerous labels, including Soul Note, Tzadik, Knitting Factory, Chiaroscuro and Muworks labels.
To know Borah was to be challenged, provoked, entertained, awed and ultimately inspired. He will be missed by his family, friends and loyal admirers around the world.